[…]lea in ’74 and so just soon after that we came back to England, and in that mid-seventies period, there were very important changes going on in independent film making in this country and probably the most important one was the shift at the BFI Production Board, where Peter Sainsbury, who had […]
[…] in order to make money... Rodney Giesler: He was an independent producer, was he, working for...? Jill Craigie: He was […]
[…]e tragic death of Thomas H. Ince. I don't know whether that name means anything to you?Roy Fowler: Indeed it does.Eddie Dryhurst: The most successful independent producer in Hollywood at that time. He had his own studios at Culver City and very attractive studios they were. The executive offices wer[…]
[…] Allen: Excellent. Rodney Giesler: And you'd set up your own independent company. Was it all on your own, or did […]
[…]paper going through was absolutely incredible. And there were a great number of distribution companies, including British distribution companies, all independent, all running their own separate organisation, all with their own despatch departments, all with their own people doing technical work and […]
[…]is is sort of roughly it.Alan Lawson 10:06 And since then,Ann Turner 10:08 and since then,Alan Lawson 10:10 as an independentAnn Turner 10:11 recording, since I haven't done anything, and then because I'm not a member of the independent union, I think […]
[…] 'Challenge' came. Very brilliant, do you know what I mean?Rodney Giesler: Excellent.Larry Allen: Excellent.Rodney Giesler: And you'd set up your own independent company. Was it all on your own, or did you have people to help you?Larry Allen: No, I had a fellow, a manager. He was very good, he was m[…]
[…]ense talent and wonderful notices, but he'd just make any old Saint(?) stories and any old scripts in order to make money...Rodney Giesler: He was an independent producer, was he, working for...?Jill Craigie: He was a writer. He worked for Korda, he did 'Sanders of the River' and one or two other th[…]
[…]de sequences on jet engines for Shell films is quite interesting and we did that and but then I decided if I want to work in television we better get independent. And we've found our own money to make programmes which we then sold to television. But we made the films they were more of an educational[…]
[…] : You had some education, but you were a very independent young woman - girl- weren't you? You didn't go […]
