[…]know the free lances aren’t going to do it. It’s just savings, and I’m sure that’s really just a government motivation enforcing this thirty per cent independent quota. And it’s a bit of a dilemma isn’t it because in a way sort of if you are an independent producer it would have been, in the past, i[…]
[…] I liked it, and working for a newspaper you were independent, you could have a ball, they were a good […]
[…]uited somebody to the staff who came to be shown round all the areas of the library and she had worked for Associated-Rediffusion which was the first independent television company and she had been reluctant to leave there but she had to widen her professional experience to become professionally qua[…]
[…] economic difficulties of Genevieve and it’s precarious position as an independent production at Pinewood. She discusses many of the difficulties […]
[…] came to an end. That's one of the. One of the snags said you weren't independent you were still so subject to military law military control and. Public re[…]
[…] at the age of 14 and went to work.Alan Lawson: Um...What, what do you mean by work?Cyril Page: Well, when I was at school I started er...showing the films to the school on the Friday afternoon, so I could get out of doing lessons, and I had an old 9.5 Ace Projector, hand-turn, and we used to do the[…]
[…]dy got their money back. Oh, hold invested by the city. So it was a very unusual, we were in the bring off. So then I will you know left and again as independent producers and during the time of think he was dancing death or whatever Romeo Juliet, they are talking to Richard Goodwin and his right he[…]
[…]here I first got to know Douglas Fairbanks could not leave it on film, but he was came down that time. And then I used to get hired out, of course to independent film came in. And they paid 10 pounds a week, but I only got the six Linda Wood 25:48and split the difference with you. Do[…]
[…] Goodman was born in 1927 in Walthamstow. He entered the film industry as a page boy at the Gaumont-British Studios […]
[…] Interviewer : How would you evaluate the effectiveness of the independent films of the '30s in reaching an audience? Ivor Montagu […]
