[…]problems and problem-solving and why you did things in a certain order and how you constructed a programme from a technical point of view, not from a journalistic or a programme-making point of view but how you actually honed all these ingredients together and finally there would be the dub, which w[…]
[…]eft Thames, then lost seat & I employed him before he became MEP. Robert Kee, Robert Morton, both on the left. “There was a political edge to the journalistic thrust of a programme like This Week. “World in Action was Trot through and through”. By their standards we were sell-outs and collaborat[…]
[…]ind the camera and that was more fun again, just carrying a tripod, holding up reflector and that kind of thing. Man meanwhile, heat. He started as a journalist, he worked for the Rank Organisation, the publicity department after the war. And he liked writing. But he liked him to films and then when[…]
[…] lot of mixing and music and effects about the subject.BG How did they do the commentary?Well this because you were are usually being recorded by the journalist on the film when the commag you lifted off to sep mag and play around with it.BG Did you do a com mag cut?CY Yeah yeah. You know we usually[…]
[…] we tried to sort of, bring it out in the documentary, and we did as much investigation as we could, but weren’t in... We’ve never been investigative journalists in that sense, and you need enormous resources, like Granada or, like World in Action used to do all these things. Or even, you know, othe[…]
