[…] Hague? You would do, probably, if you'd been around the laboratories in the past...Technicolor for many years. Anyway, that's his […]
Timecode 03:54:10:07 to 04:41:02:04 SPEAKER: M1 Ozzie Morris side 6 22nd of October. Now continuing talking about your experience with […]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW No 805 PETER WILLIAMS (PW) INTERVIEWED BY MARTIN SMITH (MS) RECORDED at SWALE MEDIA ARTS CENTRE, SITTINGBOUNE KENT on 03 November 2021 Commenced 12.30pm; total duration 2h 47m PART 1TDF 14646_01 (RE-START AT 0[…]
Peter Suschitzky (PS)CinematographerInterviewer: Paul Frith (PF)Date 08/06/2018[01:59:37]PF: OK, thank you Peter for taking part in the interviews today. This is the voice of Paul Frith on the 8th June 2018. So, if we can start by talking a little bit about where your interest in fil[…]
[…]iew. One of the areas we’re interested in understanding more about is the branding of Eastmancolor and how this changed between different studios and laboratories. Do you have any insights into how this branding process worked?AM: I’m working on assumptions really, but basically it was the Eastmanco[…]
[…]sh Television so that was, and processing black and white film was a lot quicker than colour film but when Scottish Television went into colour film, laboratories, film laboratories were opened by Humphries in Balmore in Glasgow, north of Glasgow, which is about on a good, when there's no traffic it[…]
[…]r the first time … gave us a union which covered the entire industry. GM: Yes. RL: Covered ITV, covered the film industry. Covered the film laboratories, theatres, cinemas, and it covered broadcasting- GM: [Inaudible] RL: 41.21-and the whole radio sector. And we had finally, beca[…]