Search Results for: Laboratories

Transcribed by Graeme Hobbs.SIDE ONEThis recording, is vested in the ACTT [Association of Cinematograph and Television Technicians] history project. Jack Gold, film and television director, interviewers, Norman Swallow and Alan Lawson, recorded on the 27th February, 1990, side 1. NS Going […]

[…]he department for film sensitising. Manny Yospa: At Hemel Hempsted Geoff Conway: The film processing and we did have an argument there, the laboratories, and we did win recognition there. It is difficult to recall all the details, there was a big programme on as far as we were concerned, t[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

Alf Cooper  0:03  The copyright of this recording is vested in the AC t t History Project. Jim Gorrie, technicolour technician interview, Alf Cooper recorded on the 28th of November 1988. side one project Jim Gorrie laboratory technician from technicolour interview, l. Cooper, recorded on […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

[…] made two films for them and there was one particularly, The New Boat, that I remember seeing, which was done out there in Indonesia using their laboratories which were not particularly good and opticals looked very funny and one thing and another, you know, but just the same she managed to do […]

Tilly Day (continuity) 1903-1994by admin — last modified Jul 28, 2008 04:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in […]

[…] and they use whatever weapons they can. But they did. They tried to stop the newsreels, because they were the constant ones, because the through the laboratories, because the studios could stop or go as they pleased. It didn't make any difference if you had an overtime. And in the studios, most of […]