[…]ne. And it's so much easier to make a short film now was in the past, it was as I was saying, I used to have to take the reversal film up to the film laboratories at Television Centre, getting them to process it. And then you got to edit it on.Unknown Speaker 1:04:24 I said it, edited it[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]ut it was just, it was good to do that. But I couldn't help thinking that it wasn't for me because it wasn't a family. I had gone from working in the laboratories in the schools - it's a family, small family, to educational television. It's a family. Going to STV - it's a family and then suddenly I […]
Danny Livingstone [Start of Recording] [00:58]I: Interview with Danny Livingstone. Interviewer - John Frame. What was your background before you got in to television, Danny? R: A little bit unusual. Went to school. Left school in fifth year with Physics, Maths, you know, a scientific […]
[…]a series of like b&q ready made factory things. Very, very sad to see the end of denim. And there's so many studios are gone, of course, that the laboratories or the labs is too abstract. The labs are still the I did work, which I forgot to say but perhaps I should mention, I did work in the war[…]
[…]d very close relationships with er - various educational organisations in, for example, providing finance for scientific and technical, technological laboratories in schools. And this was the kind of work that they did. And this again, they were very low profile, very unobtrusive and I think they wa[…]
[…]an’t get in to get the experience because you haven’t got the ticket. And the only way into the union at that stage was either via the labs, the film laboratories or the BBC. So that was clearly a very important thing to do. In fact, a lady who turned out to be my mother-in-law, saw in a newspaper, […]
BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]
[…]nt to work for pathein which was quite an interesting situation. Because once again they did they had passe in London had a studio they had their own laboratories, small studio in Wall Street W theatre and also the news that was all tied up with the news and documentaries. I mean we used to very oft[…]
BEHP 0721T Norman J Warren TranscriptBritish Entertainment History Project – Interview No. 721 Thursday 5th April 2018INTERVIEWEE – NORMAN J. WARREN, DIRECTOR INTERVIEWER – MARTIN SHEFFIELDTranscriber – Linda Hall-ShawMARTIN SHEFFIELD: Over to you No[…]
