[…] Fowler: Yes... Vernon Sewell: ...who owned Nettlefold studios, and Kay's Laboratory, and he owned the Comedy Theatre as well. Roy […]
[…] weavers and twentieth-century cinema projectionists. In 2014, the Denham film laboratory, where many of the women we interviewed had worked, […]
[…]end [David Mottern?] had an uncle called Archibald Nettlefold...Roy Fowler: Yes...Vernon Sewell: ...who owned Nettlefold studios, and Kay's Laboratory, and he owned the Comedy Theatre as well.Roy Fowler: Yes.Vernon Sewell: And it was through him I got into the movies. I started a[…]
[…]ith Fernseh and they supplied us with disks. And John Logie was given an annual honorarium to run away and play and he went down to Sydenham with his laboratory at Sydenham and he was working on large scale television down there, and we in Long Acre embarked on intermediate process and telecine mach[…]
[…] later because it all has to be done in a laboratory and then when you get it, it doesn't work. […]
[…]mells of my camera fumes and so I had to cease doing it there. From there my brother thought that. When I was about fifteen my brother was managing a laboratory, or a section of it, called George Humphries laboratory off Tottenham Court Road. And he said ‘I think it’s time you started earning your l[…]
[…] play and he went down to S ydenham with his laboratory at Sydenham and he was working on large scale […]
[…]. I joined the Kodak research lab in late-1962 as a lab assistant and like all the lab assistants, you start at the bottom and that was the standards laboratory where I worked in the dye and filter section where we were doing spectrophotometric measurements on dyes used in camera filters and so on. […]
[…]p;1:32:15 Are you happy with it, Steve? Well, thisUnknown Speaker 1:32:17 was one thing, which now has to be mentioned, so far, the laboratory, I believe in the old days, you and the laboratory, we have quite a close working relationship. But that's just gone now isin't it. So what[…]