[…] and shoot it, direct it, photograph it, edit it, cut the negative, and sometimes I'd even have to help process it! Because they were taken back to a laboratory in Brussels, who were very short of staff because some had been taken away by the Germans or something as far as I could - and they weren't[…]
[…]at the end of the day my leg was killing me. And then I went to Denham Labs, and became a printer. And that opened my eyes. The standard of work in a laboratory – I’m sure it’s changed now but a dupe neg would come over from America, with most of the light changes corrected but not hugely anyway; yo[…]
[…] who owns Carlton and I also knew he owned the laboratory, but he had nothing to do with it. But […]
[…] of one's ability, the film then goes to the film laboratory where it's processed and you have your rushes, the […]
[…] help process it! Because they were taken back to a laboratory in Brussels, who were very short of staff because […]
[…]arson, whose daughter I think was Winifred Pearson, who became the secretary to George Elvin of the AC t as it was there in the association of Sydney technicians. And she was the continuity girl on this film. I thought this is absolutely marvellous. I mean, I'm on a film for the first time I was a c[…]
[…]s to the name. So we used Techniscope which meant that you had to go to Technicolor and, of course, Technicolor was known as being the most expensive laboratory around at the time, even though their work was brilliant and Les and I went to a meeting [yes, I remember?] That was quite an experience be[…]
