[…] Wagner was the gaichi chairman. Yes. Were you working directly for? Yes, I was. You see, in those days, there are only two people on the camera, the lighting camera man, who operated as well. Then you had your system, which I was had to do the loading and taking care of the camera focusing so on So[…]
[…] sue.malden@btinternet.com.Alan Lawson 0:05 The copyright of this recording is vested in the back to history project. Jerry Fisher, lighting camera man, interviewers, Adam Lawson, with Sid Wilson, recorded on the 19th of October 1993. side one first and foremost, when and where wer[…]
[…]bsp;0:06 The date is the fourth is the fourth of September 1991. We're at ACTT. And the interview is with a very distinguished, originally lighting cameraman and our producer, director, Ronald Neame. Ronald, let's start at the very beginning, you had a parentage that was very active in th[…]
[…], I used to love it, with all those marvellous drapes, all the looped back drapes, you know, swagged drapes right up to the back of the stage and the lighting from the side with the piano and the singer, always the ladies had their long handkerchiefs leaning in the crook of the piano and coming[…]
[…]ights. And I guess I was young and healthy and enthusiastic because I got no extra money for that at all. But I enjoyed it thoroughly. Go back to the lighting room a bit how many worked in it. There are only while there was a head of the load room and there's a gentleman called Mr. brocklebank. And […]
[…] can remember a very talented young designer, Lionel Radford, God love him, he's, he went far too prematurely with some dreaded thing. And I had, the lighting director was Geoff Shaw. and his console operator was Ken MacGregor, and I mention that because Ken MacGregor must have been associated with […]
[…]pyright is vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SPEAKER:[…]
[…] too prematurely with some dreaded thing. And I had, the lighting director was Geoff Shaw. and his console operator was […]
[…] and of course they went on to become the biggest lighting rental company in Europe. And of course at the […]
[…]was quite, limited which made shooting Cinéma vérité style in reversal quite difficult because you had to have a lot of consideration of contrast and lighting ratios. And that’s the… really Cinéma vérité is about catching the moment. It’s not about being perfectly… getting a perfect exposure. And pr[…]
