[…]osophy of design, which was it wasn’t one of these really new sort of things that everybody, you know, they made this great mystery out of it and the designers who are a great elite, who had these wonderful theories. And they believed that everybody had a design capacity and designed automatically, […]
[…]nknown Speaker 12:15 ButUnknown Speaker 12:17 Michael, he recently has acquired the light he has bought from Eagle Trust, the lighting side of the equipment. He calls it Michael Samuelson lighting.Unknown Speaker 12:35 He is still at Dutton Hill lane.Unknown Speak[…]
[…]hem up for him in those days.Roy Fowler: That was all extra curricular, it wasn't part of the Movietone news?Reg Sutton: No. That's what you call moonlighting and who hasn't done it?Roy Fowler: Don't tell Alan Sapper. Was there any American input ... Was there any feeling that it was an American com[…]
[…] design rather than just doing the occasional programme about a designer, to make a commitment to the design philosophy, so […]
[…] stick in the mud. And a good cameraman, a good lighting cameraman and he and 1 used to do the […]
[…]to BBC standards with PPMs with Janet Fields with all the bits you would expect to find in an actual broadcast studio. They had a theatre with proper lighting rigs, big Rank dimmer panel and two tape machines with splice-ball edits. So, as well as the entertainment system where the students sort of […]
[…] him if there was anything he wanted altered for his lighting and that sort of thing. Freddie, at that time, […]
BILLY WILLIAMS Lighting cameraman Interviewer John Taylor, with Alan Lawson, recorded on 20 November 1991 Copyright BECTU History Project John […]
[…] the beautiful scenery, and all the emotion and all the lighting and all the this and that, I think oh […]
