[…]ys have a piano on the set. And when we were getting ready for the next set-up, once he'd worked out what he wanted to do, he used to leave it to the lighting director and me to get on with the job and he'd go and play a bit of Chopin or something until I said, "All right Walter, we're ready." And o[…]
[…]ame from ICI he he was a chemical genius with colours and what because it was flipping camera was you know the blue backing and also the sodium lighting. We did the sodium lighting as well. Yeah. George Ashworth built in built the camera and I helped develop that. Does one of his crew think Ma[…]
[…]e lights in the valley, and borrowed a few rags of blankets and things like that. The first was normally post out came back, I took responsibility of lighting the fire and failed. We were limited to cigarette lighters and matches and extremely wet wood. So we all huddled into one bed, pulled everyth[…]
[…]own to it.Alf Cooper 17:42 Indeed, if one goes back really far into the past, the film printer had to do his own grading didn't judge the lighting as it was passing through the machine. So you have your events from those days, right up toBert Craik 17:57 Yes, well, that takes[…]
[…]own to it.Alf Cooper 17:42 Indeed, if one goes back really far into the past, the film printer had to do his own grading didn't judge the lighting as it was passing through the machine. So you have your events from those days, right up toBert Craik 17:57 Yes, well, that takes[…]
[…] Roger Woodburn was asked to do this, [TIME 00.42.32] all lighting cigarettes and things, lighting up and trying to work […]
[…] Krampf and, indeed, he was one of the very greatest lighting cameramen. Vernon Sewell: Yeah. He moved to me and […]
[…] course, it was in the days when we all smoked, unfortunately. We spent quite a lot of time, Roger Woodburn was asked to do this, [TIME 00.42.32] all lighting cigarettes and things, lighting up and trying to work out how long it took to burn down. And Roger was working that out in terms of frames. A[…]
[…] director general manager. He wasn't he was the managing director. He was managing director Bill rule was the studio manager. And of course it was in lighting this was 1960 beginning of 1960. Is this pre or post Bentley. This is pre bent treatment events. Right. So I went down. Bill role was a chara[…]
[…]ts to see you at eleven." We never saw him again!Roy Fowler: How interesting.Vernon Sewell: Never saw him again!Roy Fowler: He was moonlighting or flogging off the studio?Vernon Sewell: Yes, making - yes! But I don't think you should publish that in any form, because...Roy Fowler[…]
