[…]t today. That'sUnknown Speaker 20:52 interesting. Like while you were talking, I was remembering. Probably the first attempt at pictorial lighting samples. Yes. in Disney's Fantasia. That's right. Yes,Unknown Speaker 21:07 I would ratherUnknown Speaker 21:10 die. […]
[…] it took they went up. We had women in charge of departments, we had a woman who was next to the head of the, of the, of the Control Departments, the Lighting Departments.Yes.So that, and that was the way that union agreement was running in that firm which was employing the biggest bunch of ACTT tec[…]
[…]Y MILLER: Well it was a bit in and out. We had our little cliques of Union in the studios but we found that there were lots of people doing moonlighting and stuff. In the old days the editors paid their assistants they took a price for cutting a film and then they paid the assistant, or[…]
behp0011-winston-rider-transcript SIDE ONE.Roy Fowler[RF]: This is a recording with Wyn Rider, interviewed by Lesley Hodgson in the Elvin Room at ACTT on the 23rd of July 1987. This is side one. Please note that all contents of this recording are the copyright of the ACTT History Project.Lesley[…]
[…] of Interview: 6 March 1987 Interview length (mins): 1.25[WA note: There might be a second interview with Eric Cross] Arthur Graham: Eric Cross, Lighting Cameraman. Eric where were you born and when?Eric Cross: Finchley, 31 May 1902.Arthur Graham: What kind of schooling did you receive?Eric Cro[…]
[…] work … it’s the same language" 34:54 U Most respected Designer/Art Directors: Peter Murton, knowledgeable, technical; Ken Adams, "a thinker", […]
[…] the dramatisations. We did a programme called, I was a designer in those days. Yes. And we did a programme […]
[…]p; Most respected Designer/Art Directors: Peter Murton, knowledgeable, technical; Ken Adams, “a thinker”, philosophical. TAS prefers to work with someone like Peter Mur[…]
[…]trainee perhaps or, or because I worked with him…He, no...In open drama.That’s right.To direct the dramatisations. We did a programme called, I was a designer in those days.Yes.And we did a programme called ‘Bookstand’ which didn’t Harrisons [ph A 23:48] produce?Oh yes, I remember, yes.A young man c[…]
