[…] by that time I'd been upgraded, I was no longer the number boy, 1 was the first assistant, I think I was working to Sid Bonnet, Percy Strong was the lighting cameraman.Arthur Graham: You say you were a number boy when you started, what exactly did you have to do?Alan Lawson: Putting up the number f[…]
[…] Sid Cole, Alan Lawson Interviewee: Edward Carrick (Craig), Art Director/Production Designer Sid Cole: Te d d y, i t ' […]
[…] I was working to Sid Bonnet, Percy Strong was the lighting cameraman. Arthur Graham: You say you were a number […]
[…]r] But it really was. And, of course, with Eamonn’s show we had the most marvellous guests, and it was a top Sunday night show. The designer was, do you remember Darrell Lass, he was the designer on that show. (TIME 49:39) DARROL BLAKE: I remember him because my n[…]
[…] like old masters because Ducky Slocombe used to go and study paintings at the National Gallery before he'd start to shoot things and get ideas about lighting and so forth. Anyway that that all went very successfully and then I guess I was wanting what we were going to be assigned to when Michael ca[…]
[…]o do this, you've got to do that. And none of it worked. My father as I told you, was involved with , the glass works, and they made film lighting equipment, studio lighting. And one day Pa heard a man called Mr. Bill Norris, was getting somewhere in the building or round the […]
[…]on't quote me on spy 60 twos 24 hour 24 hours by platform. Right? All six bits, that's about 20 feet. These are six piece they're borrowing together. Lighting scaffolding for the life, and you had to go out there, we had to put it together. Yeah, that so for that. Anyway, so most of us have actually[…]
[…]Yes.Not these great, there was no photocopying, and the way the plan was copied from the designer to go to the scene master, the property master, the lighting engineer was that the girl, I, would do carbon copies.Yes.You know, you’d actually go all round the thing with a pencil, no Biros just yet, B[…]
[…]ell, we got drunk, really. We wanted to get down and kill the boys whowere lighting squibs and throwing them at the girl's legs.What happened careerwise after that?I[…]
[…]nt Frame was such a rigmarole let the Rank Organisation in for an immense amount of money, building the most enormous kind of transportable grids and lighting rails, and rarely it was an exercise for David Rawnsley to display his his skills, which were considerable I might say...Sid Cole […]
