Search Results for: Lighting Designer

[…] very good with women from the point of view of lighting effects and things. And when Friese was good he […]

[…] to communicate. John Legard: And did you have your favourite lighting cameraman to do your work justice as it were? […]

[…] to go to the scene master, the property master, the lighting engineer was that the girl, I, would do carbon […]

[…]y they got it back when we moved to gosta. Green. I'm not sure about that. But that it was rigged out the scaffolding to help so that they could hang lighting. And everything was in jury rigged from that. So this, this was the equipment that this is from the American catalogue. This is the RCA TK 10[…]

[…]e hotel rooms on the floor in a in a rehearsal room, and we, we basically blocked the whole thing. We spent the week before we shot with the with the lighting, camera man, vit old stock, and, and we, and we worked it out and, and the designer was Gemma Jackson. I mean, it was a fantastic team, and t[…]

[…]enchanting, it was another facet of my life that I’d never, ever, encountered in a human being like this.McG: What did she do?HF: She was a very good designer, and at that time she worked in Jene [corrects himself] Jaeger. In Regent Street as a shop window dresser. And she went from there into doing[…]

[…]'ve got a star, which Bebe Daniels was a star, and Friese was the cameraman she wanted, and Friese was very good with women from the point of view of lighting effects and things. And when Friese was good he was very, very good and these things take time as you well know.Roy Fowler: He was slow?[…]

[…]ransport film. And David was the camera  man. It was his first sort of film I've ever read. I think because of that, and the different styles of lighting, Dick Lester  pinched him for the Knack with came very soon afterwards. Sarah wanted her money up front, and she wouldn't take a profit […]

[…]marvellous, he take me on one side so I am what he wants, because it was my first after major arts film and you know, it was quite big deal with huge lighting setups and the business of having to under crank on the tracks with Bill Paget was marvellous timing these things so when it was run, proper […]

[…]Lawson  0:01  The copyright of this recording is vested in the BECTUhistory project. Raymon Morse known professionally as Ramos, actor, set designer, model maker, makeup artist, a man of many talents. Interviewer Alan Lawson, recorded on the 26th of August 1993.Side  one.Right here we[…]