BEHP 0:00 We're in the theatre five at Pinewood at the date is the 25th, Tuesday the 25th of October 1988. And we're going to go through the basic questionairre first, and then hopefully, if we don't get out all the bits and pieces we want from the, we'll go over to the more specialised […]
[…] with his wife to be, Hope, who was a costume designer. And well, the only thing was the French, who […]
[…]of all the various sections through which things had to be filtered before it ever got to, before we ever got to Peter county cameras, sound candles, lighting, is everything. But he was also he was also a chap who had been working as a sound operative on a boom in the studios when I had been a floor[…]
[…] Dennis O’Keefe, with a British co-director, Montgomery Tully. O'Keeffe was also the star of the picture with an American actress, Margaret Sheridan. Lighting cameraman was Gordon Lang; camera operator, Arthur Gordon [UNVERIFIED]; and I was in charge of the stereoscopic image control, although Raymo[…]
[…]ght on the screen and you have enough light to read what you're doing near to hand. And that was a constant problem, we always were trying to improve lighting so that it wasn't too much eyestrain. Anyway, that's by the way, it's a problem for dubbing mixers and one that really is very important for […]
[…] was camera man and assistant , sound recordist and assistant, lighting, grip – ‘I want a pan right across their […]
[…] never liked the theatre – I was a great set designer but crazy city… = said "Yes, yes." :e said […]
[…] was a constant problem, we always were trying to improve lighting so that it wasn't too much eyestrain. Anyway, that's […]
[…]just fabulous; Eric Porter played Jaques and John Neville played Orlando. And Robert Helpmann directed it,[48] which was wonderful. We had an Italian designer; can’t remember his name,[49] but I remember having the most wonderful costume as Rosalind when she was a boy. Just britches and a simple shi[…]
[…] fine. I mean, really, what's all this about?" So he had a feeling of guilt, but I also got on very well with his wife to be, Hope, who was a costume designer. And well, the only thing was the French, who were very tricky.Sydney Samuelson: Yeah.Erica Masters: But I'll tell you a little story - the d[…]
