Gerry Weinbren

[…]EAKER: M19Okay you're working with cameraman and television experience.SPEAKER: F7It was just good light yeah. That's the same thing. Exactly. I mean lighting is the key. That's what made John 10 was so good in my estimation not only that he was a superb operator but he was so good at lighting. I re[…]

David Attenborough

HP0190 David Attenborough – Transcript.The copyright is vested in the BECTU History Project. David Attenborough, television director, producer.Interviewer Norman Swallow, recorded 8 April 1991Recordist: Alan LawsonSIDE ONE, TAPE ONENorman Swallow: Where and when were you born?David Attenborough: I w[…]

Len Runkel

NOTE. At the end of this transcript is an earlier shortened version highlighting the main pointsBEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the[…]

ARMSTRONG, Moira BECTU copy

[…] find little sort of pockets of resistance. You know, the lighting director whom I eventually got to know quite well […]

Paul Collard

Paul Collard Laboratories (Kodak, Kays, Soho Images, Ascent Media, Metrocolor) Interviewers: Sarah Street (SS) & Carolyn Rickards (CR) Date: 06/12/2017 Total Length: 01:30:31 [00:00:00 – 00:03:35 General pre-interview conversation]SS: This is our Eastmancolor project int[…]

Robert Love

[…], there was a very big mix of staff and freelance in all Departments really - Wardrobe, Make-Up, Design, outstanding, of course we had an outstanding Designer, Marius Van Der Werff who designed Taggart many times but then when we came to do Dr. Finlay in the nineties and we'll come on to that maybe […]

Interview

[…]u it's, it's about the actor's day really, the big time actors have all kinds of you know, they have leading lady options. You know, they approve the lighting cameraman they have to approve or approve the director quite often. They seem to have the power and And I'm not sure it's necessarily a good […]
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