Search Results for: Lighting Designer

BECTU History Project - Interview No. 13 [Copyright BECTU] Transcription Date: Interview Dates: 6 August 1987 Interviewer: Roy Fowler Interviewee: […]

[…] for the locations where now there was a wonderful production designer there who's And the name escapes me for the […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Brian Pritchard (BP)  Motion Picture Consultant (Formerly Kodak, Filmatic, Humphries & Hendersons) Interviewer: Paul Frith (PF) Date 05/03/2019 Length 02:17:14PF: This is an interview with Brian Pritchard. Thank you for taking part in the interview today. So just to star[…]

[…]never worked like it did when you had hard water. These are fundamental things that Hollywood, hang on – that film it’s a9whole lot different. Is the lighting different? And it was the water quality as I understand it.CJ: Extraordinary. Yes.MW: These are things I only heard about, but I imagine thes[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

[…]ist of every function, every grade that we could think of, or anybody could tell us about the works in the film industry. So it was everything from a lighting camera man to a focus puller, to cable basher, to any any arcane name. And we tried to find out what that name was and what its function was.[…]