[…]had to explain that the fact that an American film was a very successful film was a very good film did not necessarily mean that in this instance the lighting cameraman On it Was Outstanding and in this instance we quoted ruggles of Redcap, and Dickie was patiently exolaining what he meant in his Di[…]
[…] wo uld have stood and I just think… all the lighting. Because they used Q I s as well and […]
[…] film did not necessarily mean that in this instance the lighting cameraman on it was outstanding and in this instance […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]b they call the bunch of grapes, just quite a well known sort of pub but in the Yeomans row, Harold French also lived. And there was also there was a designer by the name of wells coats. If you had a Wells coats, he was very, very modern, if you like in terms of his architecture of furniture, a bit […]
[…] can surmise and give some indication of what that look was?SL: I mean, there’s certainly… from that era, the films have more contrasty and colourful lighting and if you look at the dye transfer prints they tend to be pretty desaturated, kind of have, they have a contrast that are a little desaturat[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence INTERVIEW SUMMARY 00.00 – […]
[…]y, programmes and all those things[??]?Yes. Yah.Production stills.Mm. Mm. And then they used to, they used to give me my own rehearsal, you know, the lighting was done, then I could just... So I suppose that’s where it started off, was,I just used to walk around and take the photographs. And, you kn[…]
[…]ng). Yes! I will, have a drink in a minute (drinks). Merton Park as a place… it was an old bus garage originally, and it had pillars. So whenever any designer had to design a set, it was I that had to design it with a pillar in the middle, or to somehow get a corner that er…jutted out and became…er,[…]
