Joan Kemp

[…] He then went out to Hollywood and became a great lighting designer in Hollywood. Roy Fowler: Yes, he directed one or […]

David Robson

[…]he Rialto somehow, although there was a lot more to do, there were stage shows, you had some amateur night on Saturday, so spot work was there, stage lighting was there to a certain extent, but only in a very limited sort of way. It was not a Granada - they said if you could last the week at a Grana[…]

Ray Harryhausen

[…] Rick go. She was turned into a viper or a horrible creature by one of the gods in Greek mythology and. I didn't want to have to have any clothing so designer. She had snakes in the air so why not give her a snakes body as a living. And she's wonderful she does have some money to do in order to get […]

Bill Cotton

[…]you remember it was the first of these record shows, and it had been started by Francis Essex actually with a fellow called Stuart Marshall who was a designer and Clifford Hats later took it on. But they kind of thought up gimmicks for all the different records and people used to come along and mime[…]

Evangeline Harrison

[…]you. But interestingly enough, I’d applied for it that ticket, ACCT that’s right, as it was in those days. And I got all of the smart people like the lighting cameraman to sign my form and I got rejected immediately of course. The second time I got all the lower people… who was the one union bloke t[…]

James Arthur Clark

[…]ell. He was a bit of a rough diamond in those days but we made quite a good team. He had very little help. He was a one man band really was doing the lighting and the operating and everything but he was a very sound technician. He knew exactly what he was doing and if they were very lucky to have hi[…]

Leonard (Len) Harris

[…]ight, and we really did work day and night, on Sundays and everything you know.Alan Lawson: Who was the cameraman over there?Leonard Harris: Well the lighting cameraman on the first picture I went on - I'm trying to think.Alan Lawson: Was it Basil?Leonard Harris: Hmm?Alan Lawson: Basil Emmott was it[…]

Leonard Harris

[…] Who was the cameraman over there? Leonard Harris: Well the lighting cameraman on the first picture I went on - […]

Keith Ewart

[…], I'll take this role away. Now, there's the camera and everything. Turn around, do what you like, thinking to yourself as a pity is doing it with my lighting. You know, pity I can't switch all light, because actually, if he wants to do it, he should learn to do the whole thing and then develop and […]
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