[…]age. You were there with maybe a reflector or things like that and a theodolite in the early days but things bumped up a bit in scale so you would be lighting maybe interiors, maybe night scenes, and you would tend to, you would tend to try and make the interiors look as natural as possible as far a[…]
[…] his wardrobe mistress was and his make-up girl was and I did know most of them because they were his crew. And he said do you know Ronnie Taylor, my lighting cameraman, and I said I don't think we have ever met. He came over and I said I am glad to meet you at last, I'm such a fan. He said we've me[…]
[…] you put the money in I’ll open a camera department...er....and I know, s, I know how to do it. So they became er they were always by far the biggest lighting rental company. But they were, they then had a major camera department, which was major competition to us and .... there were a number of oth[…]
[…]rk. Just really exciting. Again it’s the buzz of something real. It was extraordinary. DB: And he didn’t have to wait while you spent four hours lighting it? PB-C: He didn’t. [laughter] He had this bright idea that we shoot at night, with – what do you call those things – night-sights.&nbs[…]
[…]at. And how it was lit because it was raised about 4ft? I’m trying to think… 4ft 6? And then on Perspex panels and it was lit from underneath but the lighting of it was just spectacular and I think that was his concept actually. I don’t think that came from Geoff Unsworth I mean, they probably worke[…]
Jocelyn Rickards (JR)Costume DesignerBECTU No.493Interviewer: Roy Fowler (RF)Date 7-8/3/2001 & 5/4/20017 Tapes 7-8/3/2001Side 100:00:00 – 00:17:35 Born 1924, in Melbourne; when she was 11 her family moved to Sydney; at 14 she went to art school where she studied for 6 years; she came from a[…]
[…]s around.Speaker 1 25:14 That was roughly the sort of crewing Oh Brendan Stafford, of course, yes, yes. He came on a little bit later for lighting the bigger subjects, the sort of thing I used to do for British Council and some of one or two of the fairly decent sized sponsored jobs like[…]
[…]reddie was there as the chief cameraman and I went there, I became Freddie Young's operator to start off with. And after a couple o months I became a lighting cameraman. But Freddie all the time, of course, was keeping his eye on what was going on. There were three others then, there was Freddie Fra[…]
[…] from a concrete corridor, open a door and go straight into a pine forest. And when they were shooting on it, it was absolutely marvellous I mean the lighting effects you can get with trees but it was absolutely sick with trees. That's another one of my recollections of night without armour. Now the[…]
