[…]ich generally speaking was all right now and again, you ran into some awful nasty people. What was the biggest problem you ever faced on one of those locations?Unknown Speaker 42:13 Well, funnily enough, it was on the lot with this was 35 millimeterUnknown Speaker 42:22 on da[…]
[…]days of the late 50s, the swinging 60s and the early 70s, when the unit had a packed production schedule with at times eight to 10, four man units on location, plus augmented editing back up at base, when our films are winning coveted wars of film festivals all over the world, over 200 in total, ove[…]
[…] cover the whole spectrum of the programmes that had been done over the first six months, which was pretty considerable, including if you recollect a location at Sadler's Wells. Alan Lawson 20:56Yes I remember that.Dallas Bower 20:57You remember that I'm certain ... It was very largely due to y[…]
[…] we shot the whole film, it was all shot on location. And I was again very lucky that Mike Fash, […]
[…] had ... and I ... Roy Fowler: Was there any location sound on Night Mail? Norman Fisher: Oh yes, we […]
[…] managers were, like women projectionists, treated differently depending on their location. Other wartime reports in the British trade press about […]
Roy Fowler, initiator of the ACTT (now BECTU) History Project, looks back “He’s film barmy!” Thus would my bemused Mum […]
