[…] then because in point of fact there was comparatively little location shooting, it was nearly all studio work. Yes. Which […]
[…] of England, as I said previously, production managers were unknown, location managers had never been heard of, and on this […]
[…]ilm was to star Rex Harrison. He had in it Lily Palmer. They were not married at that time. Margaret Johnston Godfrey Tearle and it was a film with a location in Cornwall for about five weeks before coming Back to Pinewood Studios. Damn sorry to denim studios. Now the wall was on there was we went d[…]
[…]ures that you saw of myself and Arthur Woods and Ronnie on Plymouth Ho with Drake of England, as I said previously, production managers were unknown, location managers had never been heard of, and on this occasion we had got permission from the Plymouth Council or whatever it was, for us to shoot on[…]
[…]he movies, you know, not the movies I’ve been on but the movies I was able to accept. Because when they were growing up and in school I didn’t do any location movies, so I turned down things like Zeffirelli’s Romeo and Juliet and a few films like that, which was sad. But, you know, I don’t have any […]
[…]ugh the picture. And then you have to watch all the items that go to making up a film, film stock, crowd artists, sound, everything.Margaret Thomson: Locations..John Taylor: Staff - do you have a staff, I mean do any...?Charles Wilder: Oh yes.John Taylor: How many people?Charles Wilder: You'd probab[…]
[…]as a sort of Dante's Inferno. There was a man who was a frequent correspondent with the BBC Midland region. Now I have to explain that because of the location of transmitters, which were all owned by the Post Office the, the BBC regions whose outlines and frontiers were governed by the position of t[…]
[…] course was done in the studio, there was practically no location work at all in those days...a lot of the […]
[…]. I don't remember how much preparation, I know we had very little, always. And everything of course was done in the studio, there was practically no location work at all in those days...a lot of the exteriors were done interior, and all the Lorna Doone stuff was.John Legard: Was that in...yeah...st[…]