BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] [I’ll say that again]In those days you would get up to 200 thousand pounds to make a one-hour programme. And I remember going to my small group bank manager and trying to explain to him that we only had to get a commission for something like that – and that was as good as having 212 thousand pounds[…]
[…]? I: Well, what led you to leave? R: Why leave STV? Oh, STV wasn't STV anymore. I probably could have stayed. I remember talking to my Line Manager and I'd thought about it at the previous, every so often, every five or six years there was a new way ahead. You used to call it a new way ahe[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…]t together in this particular unit. Interviewer: And what about the staff at that time? I mean, were there lots of usherettes and assistant managers and sales kiosk people, I mean was it a full house in those days in terms of staff or were they cutting down, cutting down and cutting down?B[…]
COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not b[…]
[…]should be people should talk about her. She was a great lady, you know, she just took over the Film Unit and looked after it. There was no production manager. She was the head of the secretarial originally, you know, head the office staff. And she just looked after everybody. Rodney Giesler&nbs[…]
[…]n we had very good... we always had, John Box alwayshad extremely good production... what would you call it?Workshops?Yes, workshops and construction managers. It was another Scot who was on that. So ourwardrobe always...Wasn’t Gus on that?Yeah, it was Gus, yeah. And so – I think he was on[…]
[…]rt 17:42 was the founder side William Booth was the founder of the Salvation Army.Manny Yospa 17:46 Edgar Chard was the manager or ownerGraham Smart 17:50 rof Camera Craft partner of Hugh . That's right. So we had we had to look at this film, but it was very[…]
