[…]ere in Birmingham. I mean, he had quite a big house, he lived like a Country Squire, outside Stratford. And some of the production and the production managers and the FM's and so forth, all tended to have settled in in Birmingham. We actually commuted for throughout the week, so the actual other pro[…]
BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…] Secretary needed to do. What about the admin stuff, the schedules and so on?Speaker 2 5:45 You, you organised it, really, the production manager was the one that you weren't for him. And he that office organised all the, if they wanted props and things. And if you went on location, you […]
[…]n those days from Oxford and Cambridge actually. I met Ned Sherrin at that time who is a good friend, really good friend. He was a floor manager then in those days.DARROL BLAKE: He was doing those ITV programmes as well. I mean he worked at Mary Abbots as well before he came[…]
[…]f my life and one day there was an advert in the local paper with a big picture a sound of music poster and the local Indie cinema saying be a cinema manager missing recruiting. So I thought I'd have a go at it day. I ended up in a junior assistant manager at the Odeon cinema in Bristol and saw the […]
Mary Orrom Katy McGahan 0:02 OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011. Katy McGaha[…]