Christine Whittaker

[…] the material would go to the labs and you would have to pay per foot.Christine also had to learn about rights and the differing attitudes of licence managers in the different archives .  In particular she ran across a real ‘stickler’ at the National Film Archives in London called Dawley  […]

Laura Mulvey

HP 0572 Laura Mulvey – Transcript.NB Ums and ers have generally been omitted.Subject: Laura Mulvey[LM]       Interviewer: Emma Smart (BFI) [ES]: Date 27th November 2007Other crew:  Christophe Dupin[CD], cameraCD [Inaudible, possibly Come on In] off camera.00.04 ES:[…]

Bob Jordan

[…]ntinuity came from Australia and I think the assistant director came from Australia; sound crew came from England.[01:19:24:260] Production Manager was Hugh Harlow. Remember Hugh Harlow? He was,  a producer now, I believe well he was a producer last time I saw him; he was out there an[…]

Kent Houston

Kent Houston Side 1 Kent Houston  0:00  All right, here we go. Tim, okay, thank you.  I'm Kent Houston. I was born in Wellington, New Zealand in September 1951 I'm a visual effects technician, Darrol Blake  0:16  great. Okay, tell us a bit […]

Jean Kent

[…]Gaslight and off I wentI: And who else do you remember of the hierarchy at that time?JK: Yes, I don’t think we ever saw them. Oh there was the studio manager, a dapper little man in grey who always had a rosebud in his lapel. I don’t remember the nameI: You were obviously getting on with the job. An[…]
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