[…] interesting way to be trained by the BBC”. Told to watch a live transmission one week, and do it the next. I was a Trainee as Director – credited as Director. 26.49 - &[…]
[…]ying. But it went down all right, and that was fine Rodney Giesler 24:57Tell me how you actually went around. This is your first film as a director. How did you go about making it? I mean, did Ram Gopal put on a performance for you? And then you worked out in film terms, how you were goin[…]
[…]bsp;who made various documentaries[xlii]Anatole “Tolly” De Grunwald (1910-1967) worked as a screenwriter, later becoming a producer. He was Managing Director for Two Cities Films and later formed a production company with his brother Dimitri.[xliii]Research required[xliv]The school was fou[…]
[…] enjoyed working with them, the three of them. I mean the director used to send to me, the last time he sent me a card and it was, "You're a horrible director. When can we do another one?" [Chuckles.] That's what I used to get! Bram said to me, "How come you do five for one company? I never did more[…]
BECTU History Project - Interview No. 219[Copyright BECTU]Transcription Date: 2003-03-31Interview Date: 1991-10-23Interviewer: Sid ColeInterviewee: Bernard VorhausTape 1, Side 1Sidney Cole: Bernard, Halliwell says you were born in Germany, but I gather that's quite wrong.Bernard Vorhaus: Yes that's […]
The copyright of this interview lies with the british Entertainment History Project This is Sidney Cole interviewing Ena Baga on 28th February 1990 for the ACTT History Project, David Robson recording.SC: Ena I know you started quite early in your profession as an organist, and an accompanist, […]
INTERVIEW WITH PETER SARGENT, 8/5/2000PS: Peter Sargent; MS: Mike Sargent; DB: David BrownDB. What is your earliest memory, Peter? Where did you actually start?PS. I started in 1934, at Lime Grove, which of course has gone now, Lime Grove at Shepherd's Bush, and I started there. And the reason I sta[…]
[…] is the real epitome of a ball of fire but director. I first met Sidney when we did a film called […]
[…]o try and change?CM: Yeah and also to learn. One of the films I love the most is Made in Britain with Tim Roth. Alan Clarke, to me, was a genius of a director. That happened almost just when we were… just before we shot A World Apart, I worked with Alan and Tim Roth on Made on Britain. To me that wa[…]