[…]t you to come in, personally if you don't want to. But there have been many ups and downs with directors Institute. If we talk even about the current director. Well, he is Well, the Derek Malcolm 25:40 problem with the BFA Is that is that when I sort of began to take notic[…]
[…]d to be the only one at that time - I wasn't the only one, I think Mary Field was making children's films, but somehow they said I was the only woman director... and young, very young, and looked rather frivolous... The press used to say things like "although she is very feminine and only 20, or wha[…]
[…]these Americans it was all a bit difficult because there was a certain amount of working it in amongst everybody. And there was an Englishman who was managing it, and anyway I was there for eight years. And then the manager bought it and the manager had got his ideas about the finances and he decide[…]
[…]en't the sort of requirements in those days. One of the advantages of having to do that to the tracks is there was nothing left for the editor or the director. To start altering. That was the way it was. Nowadays the last thing you do is you your dialogue because it's magnetic it doesn't need to sen[…]
[…]though it was the British Colonial Company Limited or whatever it was called - British & Dominion Film Corporation and Herbert Wilcox was the big Director. And I remember Anna Neagle, when she first started there, and she was quite young etc. but she was a trooper, she was in one part wher[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
