HISTORY PROJECT - ADOLPH SIMON​[TIME CODE IN ELAPSED TIME]​SIDE 1​Q:​This is the recording by the ACTT History Project on the 16th of October 1987, with Monsieur Adolph Simon, originally French, but now a long resident in England. Mr Simon, tell me when and where were you born? 00:00:20​AD[…]
[…]became, it became possible to use film on a touch screen basis. The galleries were re-opened and restructured in 1989 and [Alan] Borg oversaw that as Director. And it was Clive who was responsible for putting film very much into the galleries and it was there you could stand alongside a V2 or V1 roc[…]
[…]comedy, which is a comedy about a little man who's a bit pompous about things, always trying to get on in the world and make a difference. And always managing to fail at the last minute, is a comedy that is just as appealing now. So although it is set in the 50s, and you get the old topical referenc[…]
Alan Masson (AM) Former Kodak Director of Engineering, Hollywood Interviews: Carolyn Rickards (CR) and Paul Frith (PF)Date: 27/10/2017Length: 01:36:00 Transcript edited […]
[…] You can stay in there! I: Vernie was head of, Vernie Coyle, what was his position in STV at the time? R: Well he was a Director, a Company Director. I: Aye. Right! Excellent! Right, I think that's it. [41:52] [41:54]R: We were going to do two O.B.'s in the one day. A Ranger's ma[…]
BRITISH UNIVERSITIES FILM & VIDEO COUNCIL Interview with EDGAR ANSTEY I think it's interesting as background to consider the extent to which the original dress and philosophy er - was developed in the first instance by him and then er - was moved out, partly by his efforts, partly by the efforts[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]also ran one from catch 44 which was a show that came out of WGBH in Boston, with a young producer there called Henry Becton, who I think ended up of managing director of WGBH, my chief executive. And they were they were sort of inspirational films that let us see that you could give public access a[…]
