Kieron Webb (KW) Conservation Manager (British Film Institute) Interviewer: Paul Frith (PF) Date 30/01/2019 Length 00:27:16 00:00:00PF: OK, so this is an interview with Kieron Webb at the BFI, Berkhamsted, on 30 January 2019. So if you can start Kieron just by introducing yo[…]
Agnes Willkie - Transcript [Interviewer is Janet McBain, Date of Recording 14 07 2018] [Start of Recording] [00:00]I: Well, this is an interview with Agnes Willkie for the Scottish Broadcasting Heritage Group's Oral History Project. The interviewer is Janet McBain, the date is 14th Ju[…]
John Mackay - Transcript [Interviewer is not stated but is said to be Bernard Ponsonby, Date of Recording 21 07 2018] [Start of Recording] [00:00]I: OK, the copyright of this recording is vested in the Scottish Broadcasting Heritage Group. The name of the interviewee is John Mackay wh[…]
Unknown Speaker 0:00 like this, we keep it small and nice team. So weUnknown Speaker 0:10 need to go live. Okay nowDerek Threadgall 0:13 what we're going to do Barry if you will say who you are andUnknown Speaker 0:23 when I was born and where you reme[…]
[…]on the program.SPEAKER: M11No it was scary moment because you never got cameras were very heavy. Maybe you need two people to take it off and they're managing uh uh uh were. There's not a back to remember BBC doctor coming around and the question people for the work and. Uh. In those days the Kurds […]
BECTU INTERVIEW: BARRY QUINTON (15:45 duration - transcription date: 20 April 2011) Interviewer: ... tell us your name, where you were born and when. Barry Quinton: My name is Barry Quinton. I was born in 1946 in Islington, London. (lnterviewerrrech check recordin[…]
[…]se inaugurated a very very interesting era when people like Peter Sainsbury at the Production Board or David Curtis at the Arts Council found ways of managing to continue to make films in collaboration with Channel Four, but I think for a number of us, it became very difficult to carry on. For one t[…]
[…]you were working on, and it varied as to who had the most say. Sometimes the producer wanted to know everything, and sometimes he just left it to the director. The one who least got their own way was the costume designer, because you had to please so many different people.RL: So when you were actual[…]
[…]king at Shepperton. And heknew of a small documentary company who in the summer of nine, what was his name? Michael Grey, he was he was the assistant director. And he said that they were absolutely unable to find anybody to hold a hand lamp on on a documentary they were working on. So I was asked to[…]
