[…]tary problems with this over 75 years licence fee thing as well. So I'm sympathetic up to a point. But I think they could have done a better business model. They could have made a business out of training the industry. I don't think they grasp that nettle. So do young aspiring sound recordist. Get i[…]
[…] did. And then there was a funny thing, we were given a second chance, or the 11th Plus at 13, a few of us in the sort of top stream at the secondary model. And somehow again, by fluke I think I got through I got to a grammar school. Quite a famous the Royal Grammar School of High Wycombe, which is […]
[…]e some could be very dangerous. So he became a plaster which my uncle was. My My uncle was, in fact, a very fine artist, and he found that he used to model. My father model too, and they used to model and then cast. And it's an old trade, which is not great. It's a good trade. Oh, yeah, we still got[…]
[…]the show always had to take for one more colour moving lighting, in other words. And particularly the thing that fascinated me was it's one thing you model with lighting and of course, you condemn it is now new could change its colour and you can mix it other colours and so on. But in particular, wh[…]
[…]ester. This was production. A tunnelling crew going hell for leather.John Legard: You were covering the actual exercise?Rodney Giesler: Yes. It was a model tunnelling team. They had this efficient tunnel going, and the film had to demonstrate how they did it. I learned a lot on tunnel drivage. And e[…]
[…]e operating for him. So by the time we got to Moby Dick I said John Ireally must go off on my own. So he allowed me to do all the second unit and the model stuff. And then at the end of that, then I did A Hill in Korea which was my first film as a cameraman.Alan Lawson: Would you like to talk about […]
[…]s, with, what’s his name? Terence something, quite a well-known actor, in the water. And then we had... And we devised this thing where, the car with models and everything. We did a jump, my husband did it later with Brannigan, on one of those films, jumping over Tower Bridge and stuff. And reconstr[…]
[…]t time because everything was in black and white. In order to keep your car keep the photographer from looking flat, you had to make certain that you model that your lighting was modeled. Now, nowadays because of colour, this isn't a problem because the colour separation, if you've got, let's say yo[…]
