[…] later after that he bought a Bell and Howell, a Model H Bell and Howell with a chap called Norman […]
[…] was, what, animation and real people? Joy Batchelor: It was model and real people. Kay Mander: Did you do a […]
[…]ccountants and lawyers and it seems ever such a lot of effort just to make a set of programmes.” “No, well that’s the way its going to be, it’s a new model that we are inventing here.” So, because I was convinced that we would just make this one set of programmes that we had already called Flashback[…]
[…]Maitland, France our friends?. So it was a remarkable character that we'd met in London, who had been the he was a very fine looking man had been the model for the official portrait by George Lambert of Australian light horsemen. And we'd got to know him quite well in in, in London, and he was out t[…]
[…] (QUESTION: So how did you go about challenging this ITV2 model, this assumption ?) We had to start getting extremely […]
[…] : That’s a Chippendale , and this is a later model [they laugh] . Let’s do that . [Very brief […]
[…] or diagrammatical stuff - what they were doing is making models of ships and tanks and things like that, and […]
[…] covering the actual exercise? Rodney Giesler: Yes. It was a model tunnelling team. They had this efficient tunnel going, and […]
[…] the moonsets and in the later stages was joined by Roger Dicken, a model maker. The content from the Stanley Kubrick archive, now bequeathed to the […]