Timecode 03:54:10:07 to 04:41:02:04 SPEAKER: M1 Ozzie Morris side 6 22nd of October. Now continuing talking about your experience with […]
Time Code 00:00:00:00 to 00:45:46:00 Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and […]
If Dallas Bower is remembered today, it is probably as the driving force behind the 1944 Laurence Olivier film of […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
Interviewed by Andrew Dawson, University of Greenwich, 14 February 2011Okay Roy first of all could you give me your date of birth please?Fifteenth of August 1939. Almost the day that war broke out.Ah. And if you could start really right at the beginning. Family background, parents, siblings, where w[…]
[…]ng a bit at the time. It wasn't regarded wasn't going to survive. So there's a bit of a crisis going on. And David hatch who was producing those days models, he had faith in it, and they got me and Willie Ruston, and I'd been in the first series dapping for the great Humphrey Lyttleton when he could[…]
[…]e Beatles and because of that he got to be one of Vogue’s top photographers. So, Iactually worked on quite a number of shoots with him just with models, because for just over a year I became the manager of Holland Park Film Studios [TIME 00.44.34] which belonged to Peter Biziou, another na[…]
BEHP Interview 0699 transcript Taylor Downing (TD)Interviewer: Murray Weston (MW)Camera: Dan ThurleyOther crew: David Sharp Murray Weston: This is Friday 21st April, 2017 and this is interview number 699, with Taylor Downing and the recording is for the British Entertainment History Project. He[…]
BRITISH ENTERTAINMENT HISTORY PROJECT INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence INTERVIEW SUMMARY 00.00 –  […]