[…]ded at the same time as the dialogue. I had a kind of drumhead and pounds and pounds of lead shoe and I stood at the side of the set enthusiastically moving this drum backwards and forwards to produce the sound of surf. The first few times I did this, I asked the sound recordist, Dallas Bower, how i[…]
[…] and I stood at the side of the set enthusiastically moving this drum backwards and forwards to produce the sound […]
[…]irst line test for jelly Mata who which it wasn't very well well, it was a little bit old fashioned, shall we say the animation style and things were moving on in those days the old style of of bouncing ball kind of animation wasn't that popular in TV terms and he wasn't very successful. So we are i[…]
[…]tter of lLife and Death or American version of a Stairway to Heaven. And they are I saw virtually the last day of Gordon on as a boom operator he was moving in as a as an assistant dubbing mixer to Desmond Joo. And if you ever saw I mean you would take him to be a military man but if you knew him of[…]
[…]suddenly, there I was with my notebook and a script down on the set, down on the location set with Katherine Hepburn and Rosanno Brazzi doing a major moving picture as continuity. And I don't know, I muddled through. Alan Lawson 23:38 That's an interesting thing, because, […]
[…]agh Rees DRAFT. Tape 1 Side BBeing a comedy. I cannot remember play names, I wish I had kept my scripts. But in one move I made, you know, when I was moving house or moving flats I had to get rid of a lot of stuff and I did, I also got rid of sadly all my theatre programmes back to 1945, which I wis[…]
[…]t's when we started working long hours, until two in the morning, Sunday mornings, any morning you know. But going back, it was a question of sort of moving with the development of the industry and of the studio, you know. The laboratory of course was always over the back of the studio when the glas[…]
[…] in one move I made, you know, when I was moving house or moving flats I had to get rid […]
[…]nge hit that year. It was huge, and it was a show called the Dead class and and we got to know the theater company very well, and there's some lovely pictures of them lounging around on the lawn. Cantor spoke only French, and my my mother spoke a bit of French, but not very much. But that we all got[…]
[…]say that was my introduction to the film business.SC: How old would you have been then?RP: I would have been four and a half, five. He made then many pictures at Teddington Studios, some are in the archive and some have not yet been transferred from nitrate stock to [unintelligible].SC: Mm, that is […]
