Search Results for: Moving Picture Company

[…]as living living Kingston at the time and  I decided to run away runaway which I did by getting over 65 bus okay to to Kingston and just kind of moving around there and those are great big barge that'd be bad as it were way off days and we're done going down the river. I said Can I come with yo[…]

[…]I was working with Denis Mitchell, in close contact with you and Lindsay. The obvious question is did you ever think of moving into television. At that time, because we were doing the same kind of thing ? Karel Reisz:23.02 You have to think[…]

[…]ou had to be very careful in using a zoom, you could there's only one way to you must use a zoom on movement. If you if you just zoom in and no one's moving, it's instantly noticeable. This is a standard mistake that's still being being made. If a person is moving and you move with them, you can dev[…]

[…]lour and to print it in black and white.PF: Yes, one of those films I believe we will be coming on to later on, which was Valentino, I think. So moving on to, which I think was your next film, Charlie Bubbles?PS: Yes.PF: With Albert Finney. From watching that, the version I had to see, it […]

[…]that, on set, not realising when in those days where you've lined up shots and you have to stand in position, I would be agitating all over the place moving and I had to be shouted at from the control room. That's when I first got my first bite of Television Centre. And the whole forest was built as[…]

[…]portunity and went back to live with Father. Who I stayed with until unfortunately as I say had hodgkin's disease and passed away. Anyway now we were moving home from hindhead to Woodroyd as st revellss in Gloucestershire. When I went to school in colford and the family again moved so we now lived i[…]

[…]and that was at Shepperton Studios. How Linda Wood  26:40  did you do because you've worked on the previous Yes, and I'm now moving Tony Lawson  26:44  on to Yes, yes, that's right, yes. He asked John, asked me to carry on with him. I mean, just,&nbs[…]

[…]and therefore be afraid of verticals is what he's supposed to said. And it had all this, you say, but the show always had to take for one more colour moving lighting, in other words. And particularly the thing that fascinated me was it's one thing you model with lighting and of course, you condemn i[…]

[…]agh Rees DRAFT. Tape 1 Side BBeing a comedy. I cannot remember play names, I wish I had kept my scripts. But in one move I made, you know, when I was moving house or moving flats I had to get rid of a lot of stuff and I did, I also got rid of sadly all my theatre programmes back to 1945, which I wis[…]