[…]iate it at all it was completely lost on me. And to me, because I’d been at school for seven years, I just went, just went out every night to all the music gigs and you know, I thought well I’ll just go for a pass, or a third, I don’t want to stay in academia, so I’ll just go erm for a pass, and rea[…]
[…]ink he'd have had me, anyway.DB. I didn't realise your father was in the business as well.PS. Well, my father started in about 1907 , writing for the music-hall, and my mother was on the stage, so he met her and they married. DB. But he was involved in films... Silent films?PS. Yes, because he wrote[…]
[…]lking heads interviews, or, you know, just trying different ways or following people around and using things that I'd seen on kind of Channel 4 youth music programmes or whatever. And so it was a wonderful way of actually learning how to make things. And, and also, I had to edit them myself. And aga[…]
[…] your levels. You do a bit at a time. He really had a because of the way he did it, he really had a feeling of the as I say as it was like a piece of music is on the fly. Yeah, it was on the fly. I mean, in those days, things have been on the fly up to quite recently, I joined calophyllum services, […]
[…]gne Charlie.” And the man was a man called Cavalcanti. A foreigner. And Cavalcanti was making this film, a foreigner making a piece about old English music hall, and they couldn’t have got a better man, as often people say “tourists know London better than Londoners” ‘Cos they are looking for more. […]
[…], no probably not.No, that, no I think you’re absolutely right.So that’s what made it made it more manageable so you were dealing with commentary and music tracks and so on you weren’t having a complex...Yes, yes as opposed to the commentary and, and effects...Y es.41Vivienne Collins DRAFT. Tape 1 S[…]
[…]g off the audience from the action. Before that, the old the actors and the audience were one, and the only area where that continues today is in the music hall and in Cabaret, which I have always worked in therefore, I feel that my approach to Shakespeare, when I've done it, I have contacted the au[…]
[…]one little contact before, but very small. It was whilst I was art school there was this Arts programme I think it was some kind of precursor of Music For You, something like that and they just sent round the art schools and said that they were going to offer a chance of somebody having a desig[…]
[…]4 Well, I remember going to dinner just after it closed down and the corridor there was wide or insofar as you got to get down it to get to the Music Theatre on the right hand side is your Wendy's you know, and there was no one he was I Seven Hills ruled that corridor, and then he went up and […]
[…] went, j ust went out every night to all the music gigs and you know, I thought well I’ll just […]
