[…]t of, well, things on an epic scale, you know, huge landscapes and, you know, that sort of thing. Here we were doing a picture about, about the Early Music Hall, you know, and small, small theaters and backs and back room, little back room, back rooms in the theater and little corridors and all that[…]
[…] war film since Cavalcade'. That was saying rather a lot I think. That was certainly Stewart Rome, but Men of Yesterday had people like George Robey, music hall artists as well, in it. Because he was very fond of music hall so he always liked to have a music hall sequence in because he knew a lot of[…]
[…]gnments, I mean, from Buckingham Palace one day, broadcast by somebody, and Downing Street and the theatres and the night-clubs, the late night dance music, oh, numerous numerous things.Roy Fowler: Before we leave Newcastle for good you've mentioned ship launches and things like that, any other war […]
[…] which was about five hours long, and commissioned Carl Davis music and put on the first screening. =t was fabulous […]
[…] Samuelson: Tell me what you can remember about how the music came about, because I think it's an interesting story. […]
[…] then, it wasn't Westrex for some years. And the first music session here I recollect was George Melachrino and he […]
[…] I was about to apply to the Royal College of Music, I was suddenly seized with the idea that " […]
[…] know. She was sucking sweets, being very sentimental, listening to music and talking about baking and clothes, and being just […]
[…] Sinclair Hill? Fred Tomlin: Yes. And they even got the music man, Charles Williams. Oh... Bob Allen: This is Charles […]
[…] ey es of the audience, big close -ups and dramatic music singing, and all that stuff", that =’d learned about […]
