Reg Sutton

[…] and the theatres and the night-clubs, the late night dance music, oh, numerous numerous things. Roy Fowler: Before we leave […]

Philip Bonham-Carter

[…]until 1989. DB: Right, okay. PB-C: So yes, Crest of a Wave was Peter’s first proper directing – he went on to direct other things, a lot of music, but that was – I think I’m right in saying – that was the only drama that he did – I may not be right there. DB: Yes, I worked with him on[…]

Barry Charles Cryer

[…]t man known to us all as VD. And I told some jokes and I sang a song. No any more jokes. told some old jokes no another song. And I said, I've got no music. Ronnie will Bosque for you that was Ronnie bridges appeared this to became a friend. So I sang another song. Thank you. So I thought, Well, tha[…]

Roy Fowler

[…]top and a very vain man who had an inflated sense of his own abilities. He did have a vision, which was to make the complete artistic expression with music and sound and performance and colour and you know the whole thing, which they did with Tales of Hoffman and The Red Shoes to some extent that wa[…]

Phyllis Dalton

[…], I mean you mentioned Branagh’s Henry V and thatextraordinary tracking shot at the end of the battle where he’s carrying...Oh I know, that music.With the music. And the dead and dying all around, I mean that must have been an absolute marathon design job. And likewise the battle in L[…]

Erica Masters

[…]s.Sydney Samuelson: Did you see that through to post production?Erica Masters: Yes, yes.Sydney Samuelson: Tell me what you can remember about how the music came about, because I think it's an interesting story.Erica Masters: Yes. Corney had more ideas in one minute than most people have in about two[…]

Christopher Miles

[…]in in Hania  who was old friends then there from then on, I got to know one or two Greek  people and some quite interesting Greek poets and musicians, I got to know many Meny Hanudarkis? and I wanted to carry on and try and do a Greek fable that had no rights attached to it. Called  t[…]

Maurice Askew

[…]one of the first, well if not the first post war Westrex Channel - well it was Western Electric then, it wasn't Westrex for some years. And the first music session here I recollect was George Melachrino and he was very kind about the quality he got, so that put us on the right road, and we sort of..[…]
Scroll to Top