[…]ican supply we had food and they had to produce films right to the bitter end. Big entertainment was reserved on. And they were making great escapist musicals and romantic love stories and right. And the famous story of the Russian pilot who flew over East Prussia towards the end of the war looked d[…]
[…] money in the plate regular, all that kind of thing. But there was no real, what I would call these days real theology taught there at all, like. Our music teacher was tone deaf, that would give you an example. Alan Lawson: You left at 14 Johnny Speight: I left at 14. Not through choice, I had to, I[…]
[…]zerland came along to see it and proposed to send it to London. This was 1936 already, and in London that group of people liked it. It was called The Music Man based on Franz Liszt's music of Hungarian Rhapsody, a tune that has haunted me for throughout my life. This group of people decided to invit[…]
[…]bsp;on rather than have people bumbling around we'djust show a caption and play some music. This might have been for three or fourminutes, if that happened the image was&[…]
[…]s because he was still smarting under the electrician? You are they call these designs? He did disgust? He was not. He said that's not a design for a musical. And artist. The dress designer said you don't care for them? No, I don't care for a loved one. No, he said the founders and it is the best I […]
[…]ineersJH: In radio days we used to use, there was a radio studio, the King George V suite with the organ in it and we used to go up there and do Music While He Works with Sandy McPherson and the organists of the period. It was murder because the acoustic was dreadful, absolutely dreadful.&[…]
[…] Days work I ever did, frankly,Unknown Speaker 15:08 the other great thing in my life, of course, which I have almost forgotten, was music. Before then, my mother made me practice the piano from when I was very tiny, and I just took exam after exam and so forth, until I was about 12[…]
[…]r... Roy Fowler: Yes. Andy Worker: Bernard Knowles... Roy Fowler: Yes. Andy Worker: Val Guest of course, who did one of the first musicals I suppose, during the war, 'I'll Be Your Sweetheart'. Roy Fowler: Ah ha. Marcel Varnel? Was he still there? Andy Worker: He wasn't […]
