Gordon McCallum

[…] think it was... '36. So that everything came to a rapid halt. I went home one night, and - it was a Sunday morning I believe, I had to go back for a music session and planes were diving over the studios. I didn't know what the planes were doing flying around, and of course, they were taking photogr[…]

Gordon McCallum

[…] morning I believe, I had to go back for a music session and planes were diving over the studios. I […]

Mike Bradsell

[…]ad to learn by rote. I was actually getting very thin because it was wearing me down. I'd I'd also had this sort of parallel enthusiasm for classical music and recording. So I applied to DECA to see whether they had anything that they could offer me. And they very kindly invited me to spend a day at[…]

Interview

[…]ad to learn by rote. I was actually getting very thin because it was wearing me down. I'd I'd also had this sort of parallel enthusiasm for classical music and recording. So I applied to DECA to see whether they had anything that they could offer me. And they very kindly invited me to spend a day at[…]

John Aldred

[…]Most of the time, and I'm talking about 1936 and 1937 they didn't really do a lot of dubbing, they simply cut the sync track together. If it had some music then it had to be mixed, obviously, but you didn't do a lot of serious dubbing because the sync track was always pretty good, at least it was su[…]

Val Guest

[…]very strict disciplinarian, he was a tough rough cookie. I think he had much more on the ball for direction than Jack Hulbert, Jack was just a review musical guy who came in, and a very difficult person to work with too.RF: Yes I worked with him too. Nice guy, well-meaning but lost.VG: Jack when he […]

John Aldred

[…] simply cut the sync track together. If it had some music then it had to be mixed , obviously , […]

Pete Murray

[…]me, why? I don’t know.  “I am going to give you a very, very difficult part.  John Gielgud played this when he was a young man, it’s called Musical Chairs.”  It was a difficult part and at the RADA you are not allowed to applaud.  All the other people when you do your public perf[…]

Bernard Gribble

[…] he was supposed to be somebody who was travelling in the outback at the turn of the century. It's the kind of Western and suddenly it was becoming a musical. Terms. He was putting in his ad libs on every single shot. So Borgen decided to send for all the rushes so the rushes will sent from Sydney o[…]
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