[…]tual model of London, the same of New York, had explosives put all round the place. The model maker was a man named Guido Baldi, an Italian, almost a musical Italian, and the boss of that department was a man called Stroppa, also Italian. The art director was Andrew Mazzei who I suppose was original[…]
[…]e a director - and do you know what the buggers did to him? They gave him The Arcadians to make a silent picture of, which was an Edwardian musical comedy. And Saville from the very start was no man's fool, believe me. He goes to America, well somehow or other, and he picks up... what was […]
[…] that I am now the Head of Arts & Documentaries, Music and Experimental Programmes – not documentaries per se but […]
[…] I had to think of a way of. Playing some music that would repeat itself throughout the day. And I […]
[…] of American culture, its movies, its novels, its jazz, popular music and so on, was being overshadowed by Vietnam, politics, […]
[…] extra mike of course, and you'd have to read your music. I used to read it upside-down. I wasn't a […]
[…] Sidney Cole : And that gave you a taste for music? Alan ? : In an orchestra? Muriel Box : […]
[…] in your family at all? Yes. My aunt was in musical comedy really it was, I suppose. She used to […]
[…] is now used by the BBC for concert night, light music there. The other was the Ionic Cinema, the Ionic […]
[…] said, 'Victor, if your picture's half as good as Charlie's music, it'll be a good film.' You can use that! […]
