[…]mmes at the time, and myself and we got invited, because we'd done this deal with DIC and we were producing animation, we went to things like the MTV Music Awards and in the, you know, the best seats in the house. You know, there was Jack Nicholson and there was Madonna and there was somebody else, […]
[…]vid Rabkin, directed by Alan Clark, who is of course associated with cash realism. This was about the sixth form or in love with Elgar and the use of music and landscape and his kind of intellectual development. I've never seen that treated better. And it was quite astonishing to think this was goin[…]
[…]rry Hughes & Anthony Smith, put in proposals: BBC approved both and flipped the producers so Terry ran The Money Programme. I helped choose theme music, titles, live studio – “It was a very interesting way to be trained by the BBC”. Told to watch a live transmission one week, and do it the next.[…]
[…]p; Harem00:14:10 Dance to the Music of Time00:16:40 “The Magnificent Ambersons”00:22:45 &nb[…]
[…]u? Yes, ma'am. So, but they they she always sort of likes to know a bit about people she's meeting. I mean, I was standing next to the director of me Music I think from the Irish Guards and I think Pauline Collins was the other side and I think Richard Attenborough was next to her right. But this wa[…]
[…]nbsp;Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifties; the 'Under Milk Wood' […]
[…]ember it being even worse. They used to have to walk everywhere to get, you know, to the offices or to the mixing theatre or to the canteen or to the music recording stage or whatever the transfer bays. They're all a good walk. So used to get out quite legitimately, as it were, to sort of wander abo[…]
