[…]60s these were purely a combination of new technology, developed by engineering skill and creative ideas from people who were writers or composers or musicians of one sort or another. So I take the view looking back on it that the BBC’s role in trying to push forward, to roll forward the capacity of[…]
[…]parts she played in, in ‘For Whom the Bell Tolls’.No, she wasn't.For example, Pilar.She, she didn't, she played and she wasn't, she was a very a good musician actually in life. And her, and she brought on, she, she trained in that young, he became the great director called Michael, Michael...Yes, I […]
[…]t was better expressed by a Canadian composer called Marie Schaffer, who wrote a book on more or less the same subject. But you really needed to be a musician to read it, because he had a lot of sort of quotes of notes and bits and bars of this stuff and the other, which I couldn't read. And it was […]
[…] broad cultural education, history of western culture. Frank Mumby, brilliant musician. Jo Hodgkinson, married to later Director of Drama at […]
[…] He was excellent. A lot of the artists and the musicians did well. The other thing that Del Giudice did […]
[…] an opportunity to put it on French Television, but the Musicians' Union wanted so many repeat fees, all the revenue […]
[…] played and she wasn't, she was a very a good musician actually in life. And her, and she brought on, […]
[…] accounts- RL: We are talking about Equity. Writers Guild? GM: 38:49 Well, the Writers Guild, nothing. But Equity, The MU [Musicians’ Union] and the NUJ [National Union of Journalists]. Yes, we got very close, as you know, to the NUJ one time. We've always had a bit of a f[…]
