[…]’s I believe?That’s right. Sight, he used to do sight, the printers in those days graded as they printed.That’s right, yes.And the printer graded his neg as it went through the...Yes, they, they just washed it?Of course, it was only black and white.And he...[OI] And what, what, and what printers wer[…]
[…]ine. Final, the final setup,Unknown Speaker 1:05:39 which, which, I had a lot to do with you started off with, first of all, a soundtrack negative in a continuous loopUnknown Speaker 1:05:50 later when we got 2000 Yeah,Unknown Speaker 1:05:53 then you put your bla[…]
[…]cording.Tape 1 Side A.The copyright of this recording is vested in the BECTU History Project, Queenie Turner christened Alice May. Laboratory worker, neg and pos, pos , assembler, negcutter and finally librarian of The Imperial War Museum’s Film Archives.Interviewers Alan Lawson and Syd Wilson. Reco[…]
[…] things like that you know. In those days it was the editor after the thing was dubbed, he’d cut back the original dialogue into the track for neg cutting. RAY FOWLER: This is right from the start?HARRY MILLER: In the early days, yes, go back to the original track. Bill some[…]
[…]se, you only mixed the section that you had to because of ground noise. If it was straight dialogue, that was not mixed.LH: [It was] Off the original negative.WR: Yes off the original negative of course I presume if the levels were all over the place it had to be moved but…I think that’s about all, […]
[…] Holness. Rodney Giesler: And Don Ramsey the grader. And a neg cutter lady called Wardy. I don't remember her full name. […]
[…]t of films in production, and I thought I'd love to get round a studio and see what's happening. So I looked at the films "Upcoming" and I saw that Cineguild had a production on the floor at Pinewood. (Oliver Twist). And rather than write to Lean whom I thought must be a very busy man directing, I t[…]
[…]he folly (?). That was my job. And so, after I'd doing this for some time I thought, you know, see if we might make this a bit easier, so I got these negatives out and put them on the bench and I compared some with others and when I saw two or three that looked alike, I just tested, one and put the […]
[…] Number 37. Fowler/Lawson: Now when did you first start doing neg developing? Bill Girdlestone: Oh, well then I joined the […]
[…]where they are now. My, my problem from the BAFTA point of view actually is the fact that, I went to America on a movie, Raw Deal with Arnold Schwarzenegger in it, which John Irvin directed, and, we worked
BECTU History Project
Interviewee Interviewer Track No
Anne V Coates Roy Fowler
1
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