BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…]n the laboratories?Michael Aldridge 10:32 Well in the labs, I suppose optics. I did my stint as a trainee in the optical department doing opticals, bi-pack work. And then animation and doing bi-pack work on animation as well. So I suppose that was the most specialist area that I got invo[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liabili[…]
[…]limp Terrys, which, at that time were suitable for that type of film, because you were not dependent on a highly stable image. You were not doing the opticals really like that. And given good crews, they were very quick in operation. They needed, you needed to know them, because they were comparativ[…]
[…]t took it in the cutting rooms,Unknown Speaker 40:59 wrote the commentary, if it was a commentated film, whatever laid tracks, put in the opticals, I never had meUnknown Speaker 41:07 did, and you did everything. You went right through, from the from the subject to the gradin[…]
BECTU History Project - Interview No. 10[Copyright BECTU]Interview Date: 22 July 1987Interviewer: Wyn Ryder, Alan Lawson Interviewee: Reginald (Reggie) Beck, film editorSIDE 1, TAPE 1Wyn Ryder: We ought to start off with where you were born and what sort of schooling you had.Reggie Beck: I[…]
[…]. But I have… I know from speaking to other people, at Cineric actually, not Simon [Lund] but the colourist there, that he calls them short opticals, in other words, when they just cut for the length of the effect rather than… because the optical’s so bad I suppose, rather than leave the w[…]
Colin Flight (CF) Laboratories (Kodak and Rank/Deluxe) Interviewers: Paul Frith (PF) & Carolyn Rickards (CR) Date: 25/01/2018 Total Length: 02:02:49 CR: Thank you Colin for inviting us to your home to do this interview today. We’re very, very pleased to be here. I’m just[…]
[…]h the assembly editor, or the editor; Ealing had a technical manager, Mrs Brown.00:08:20 – 00:13:10 Introduction of colour negative and the impact on opticals; Technicolor had always used full-length for their opticals and were done in-house; PB became a colour grader when they were working on Eastm[…]
