[…]place late at night. You know, I used to park my cars to drive up and I was living in another Park. And I used to drive up in an open car and park it outside the door. And it would be unlocked on any shopping. I had to be in it and stay there all day until I went home at night. Nothing was finished.[…]
[…]?" And I said, "Well, no, it wasn't. It was actually made in the studio at Cowcaddens." We did actually have an exterior at the beginning and the end outside the old Partick steamie which still stood then! It's gone now. But the rest of it was in the studio and people were astounded to learn it was […]
[…] great learning procedure or process. I: And did you find that you needed different sets of skills say, for a studio-based production than going outside on location with a Drama? R: Oh yeah! Yeah, yeah. I: There would be a range of different skills? R: Yep. I mean, you know, you […]
[…]s, and really enjoy myself. And I was meeting people from different walks... So the education wasn’t so much about the classes then as the stuff outside that; the social life? It was the social side, yeah, and I was going to every gig going, and joining this and joining that, and was havin[…]
[…]s being exposed to asbestos, but I've dealt with a number of cases for back to members, some of whom had been exposed to asbestos in previous careers outside the industry, but others who've been exposed to asbestos through soundproofing and studios, often at a time when everyone thought asbestos was[…]
[…] unit, which of course, is a very pleasant and interesting experience. But it often meant that we had to break our films into two units, one shooting outside America and one shooting within America, which has certain disadvantages. And even the director in America had to pretend that he was an advis[…]
[…]re Roger Moore's tax problems. You couldn't be in this country forChristopher Miles 1:23 too long. That's right. Yes. And we had to do it outside the UKRodney Giesler 1:29 is another problem.Christopher Miles 1:32 He's no no, yes, I better but he was he is a very […]
[…]department there which was unlike any script department to do with the film business, because it was dealing with all the scripts, coming in from the outside world, who thought they'd make a good programme. And of course they all had to be replied to and that was a tedious job, nothing like I'd done[…]
[…] wasn’t so much about the classes then as the stuff outside that; the social life? It was the social side, […]
[…]n was still there was still an issue of women and girls going and doing what they wanted to do anyway, be it any profession, even going to university outside. So I think there was this sort of societal shift anyway, which was sort of happening in the 80s, which facilitated more Asian women coming in[…]
