[…]s?!Charles Bennett : Ten days. I got it in, but it was dreadful, and I'm not even going to mention its title. But, later, very soon later, I became a TV director for Edward Small - who was very important in those days. Oh, I remember a lovely thing. The first of the 'Monte Cristo' features - not fea[…]
[…]to be re-photographed; if there was anything detrimental to the country they would make cuts in the dubbing and then from the image; selling films to TV meant that sometimes the films would run shorter than promised as a result of these cuts; 1,500 features were available on demand to print at any t[…]
THE ACTT HISTORY PROJECT – CEDRIC DAWE, ART DIRECTOR.INTERVIEWER: ROY FOWLER.The copyright of the following recording is vested with the BECTU History project. It is the 19th of November 1991. We are in Chartridge in Buckinghamshire at the home of Cedric Dawe, an Art Director whose career in the ind[…]
[…]And, of course, Bernard Cribbens was absolutely brilliant in it. I mean, it was a Chaplinesque performance. It was for that film that I got the BAFTA Award for Best Editing.John Legard: Oh you did.p. 106Teddy Darvas: Bernard loved the film so much, he was chairman of the Guild of Film Edit[…]
SPEAKER: F1The copyright of this recording is vested in the AC Titi history project. John Allen. Laboratory technician Technicolor and also a manager. INTERVIEWER Alice Cooper with Alan Lawson recorded on the second of May nineteen ninety one side one first of all when and where were you born.SPEAKE[…]
