[…] I was volunteering at Riverside, and in this and I had a boyfriend at that point who was working it, was a graphic designer at Riverside, was a good photographer, and he was working as a graphic designer. So Riverside was part of my extracurricular life, and film going continued to be to the extent[…]
[…]development and so on. And maybe David Puttnam was one ofthose.CJ: Oh, very much so.well.MW: I know he said to me once that his father was press photographer, I think,and indeed he was very keen on our [BUFVC] Researcher’s Guide to Film andTelevision Collections if he wanted find places to look[…]
[…] talk to his operator about things. And involve his operator as well. If he was having a discussion with a director, he would call me over where some photographers wouldn’t. Not saying all, but a lot wouldn’t. JK: You’re talking about leadership really? BJ: Absolutely yes total[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretati[…]
INTERVIEW WITH JULIE HARRIS (COSTUME DESIGNER) The copyright of this recording is vested in the BECTU History Project.Interviewer: Roy LansfordRecorded on the 31st August 2000.RL: Right then Julie, if we could start from the very beginning, from when you were born.JH: I was born in 1921, which […]
BECTU History Project - Interview No. 431[Copyright BECTU]Transcription Date: TBCInterview Date: 1998-03-25Interviewer: Alan LawsonInterviewee: David Robson[Tape 1, Side 1]The copyright of this recording is vested in the BECTU History Project. David Robson, one time cinema projectionist, television […]
