[…] yes! Alan Lawson: Because I knew he was a still photographer, but on the...? Tilly Day: No, he was on […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]been told it was absolutely out - no press. But of course Herbert Wilcox could never stand that; he really understood publicity. But anyhow, he'd got photographers there of course and unfortunately, so was the Factor. You know, he's the agent, the agent who ran the estate. Well of course he took obj[…]
[…]out of theindustry because we were in Cheltenham, Geoff was then working with, funnily enough, the research station of the Coal Board as a scientific photographer. Geoff started off, was trained as still photographer and also did a bit of scientific research photography forKodak actually, I think I’[…]
[…]'t take our stuff for reasons of their own I suppose so I had to come home. But I wanted to come back and if I could get back I had a job as a stills photographer with the Sub Secretariat in Barcelona. And while I was back I went to see Charles Duff who edited a paper called Spain today who agreed t[…]
[…]hand held cameras.Mm, mm.You can do all that but it isn't half a crush backstage, even with the hand helds it's a terrible, and obviously those press photographer, photographers have no respect for anybody with television cameras they, you know, buzz their way in. But that has facilitated that side […]
[…]ay “OK make it”, he'd done the screenplay, “alright direct it”, but they were very careful to give him Arthur Crabtree who was one of the most senior photographers there to watch over him, and they called Arthur down and said to Arthur, “You look after him and make sure it goes alright and we'll giv[…]
The copyright of this recording and transcript is vested in the BECTU History Project. Bryan Langley was interviewed by Arthur Graham on 18 November 1987.1. Improvising with film stockAG: We're on the different types of film stocks. What were their differences, and what were their special requiremen[…]