[…]you concentrated a bit more and let the sound man when you are shooting having a fair crack at the whip you would not have – because he does not like post sync either - but he is not unhelpful – I like Dick…I should call him Richard now and he has an office below the office we are talking in a[…]
[…] video mess. Yeah, it all got enveloped in. Can you lead me? And of course we the listeners to this tape, through your time as a freelance if, in the post GPO days?Unknown Speaker 16:39 Yes.Unknown Speaker 16:41 Well,Joe Mendoza 16:45 I worked at worldwide while I[…]
[…]A designed for Disney and it had only come to light in the individual account to change all the chips himself. He. Ended up in the scrubs. And. So we post French news they look we got our own auditorium and he looked at all the books and we lost a few pounds. Very fashionable. Is. This type of think[…]
[…]ry, very, as a trade unionist talk about Women’s Lib. I knew what would happen when Women’s Lib started getting off because the women, well, the post girls and negative girls would hardly talk to one another.Oh no, no.And that was one of the things that I, that has struck me as rather naughty.W[…]
[…]t problem for the sound people, everybody.RP: Yes, everybody that's right. I mean you had to stick the generator ages away for sound and often had to post sync because of it. Zoom lens, I think is a good idea.SC: Now it's used as a multi-purpose thing.RP: Often you don't have to put down tracks whic[…]
[…]d his own laying of tracks.LH: Or the assistant would do it. He’d make up a loop. Because soundtracks were pretty primitive weren’t they?WR: Yes. But post-syncing in those days was very complicated on optical. You rehearsed the loop; then stopped. Wound round to the start marker on the sound and act[…]
[…] completely berserk. Mounted police kept all round us, knocking the post and I thought, "We're going to fall off any […]
[…] Glory (1945), and made some AKS documentary shorts. During the post-war period, he worked consistently as a camera operator, and […]
[…]of cotton import and export. So it meant that we were based in London, but he used to commute to Manchester and those days dark and satanic as it was post war Britain. Darrol Blake 1:12 Can you tell us a bit a bit about being a child in India during the war? I mean, did th[…]
[…]as palm trees." I said, 'have you got permission for all this?' "Oh yes!" So I went down...no permission had been given. So we had to get over to the Post Office who fortunately did give permission. And so then we had to build these wretched things and [Ramziz] started it...he got a collection of pe[…]
