[…]ame. It is virtually impossible to find out anything about him, he was the original back-room man. The only photograph I ever found of him was a tiny postage-stamp sized photograph that accompanied his obituary in the Evening News when he died in 1936. I never found a good photograph. But he is – th[…]
[…]e documentaries one hadn’t really worked in, but most of it wasbecause of, I suppose, of how they had to match stuff. There was an enormous amount of post-sync on that film. I mean really a tremendous amount. And there was a very nice girl, the sound editor was a woman called Jean somebody, very nic[…]
[…]he world and we always used to broadcast the services on the Sunday. And on the Saturday I was parked slightly on the pavement in Keswick outside the post office and my wife had gone in. A policeman came up and said excuse me you're parked on the pavement, you're causing an obstruction could I see y[…]
[…]e American pictures here – they weren't very interested in them and they were shot very quickly. These were made at Welwyn. One was called 'Beloved Imposter' and the other, 'The Avenging Hand'. And on the latter I treasure my worse one of my worse editing notices in the trade press, Kine Weekly I su[…]
[…] use it." So, in that film which is now that post er are my two drawings in a book. So […]
[…] Park?" "Yes" he says, "go round the corner where the post office is, get onto what they call the Berrow […]
[…] called (sp?) Ritzoali but as they hadn't actually got a Post Office it was useless to put it as an […]
[…] in negotiations for the 1947 agreement, which was the first post-war - the main agreement that started it all for […]
[…] was parked slightly on the pavement in Keswick outside the post office and my wife had gone in. A policeman […]
[…] sound could be put on afterwards or even recorded beforehand. Post synch and pre synch was fairly well developed by […]
