[…]e in it and um...Sidney Cole: Was it shot in English or two versions or what?Bernard Vorhaus: Two versions - well Italian films at that time were all post-synched anyway, so it was no problem.Sidney Cole: Yeah, including their own, they post-synched everything, didn't they?Bernard Vorhaus: Yeah. Wel[…]
[…]to put on the screen something that you created, the light and shade. Now to have to watch the actors moving around in these lights to see, see them, postage stamp size, with a flickering chatter in between. You know, one can no longer see or appreciate the image that one's doing. You can't see what[…]
[…]now where, even on Match of the Day when they do flashbacks and they basically blend colour and black and white images together to create this slight posterization. Slightly unreal sort of world of things, and it all originates from that sort of look if you know what I mean, so at the time, it was q[…]
[…] copying letters, in an office of the Warwick Trading Company, which of course was a film production company. I got tired of filing and running round posting letters, so every minute I could spare I popped up into the dark rooms to see just what went on.Ralph Bond: Where was this?Alf Tunwell: This w[…]
